![]() ![]() David Kipen's view of screenwriter as indeed main author is termed Schreiber theory. Aljean Harmetz cited major control even by film executives. Georges Sadoul deemed a film's putative "author" potentially even an actor, but a film indeed collaborative. Pauline Kael argued, however, that "auteurs" rely on creativity of others, like cinematographers. Yet the concept first appeared in French in 1955 when director François Truffaut termed it policy of the authors, and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations.Īmerican actor Jerry Lewis directed his own 1960 film The Bellboy via sweeping control, and was praised for "personal genius." By 1970, the New Hollywood era emerged with studios granting directors broad leeway. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. ' author') is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded but personal that the director is likened to the "author" of the film, which thus manifests the director's unique style or thematic focus.
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